Back
in Edinburgh I continued to explore the city. Thursday was a bit more relaxed as
I recuperated from the tour.
Friday
was a big old day. I was well and truly on the case of Alexander Scott! Feeling
a bit like the guy who hosts Who Am I?
I set off to the National Archives of Scotland. Mum had mentioned that there
were certain records held at these archives that could hold important clues as
to the identity of Alexander Scott. These can only be accessed in person, by
prior arrangement. So, armed with some background information and a list of
records mum had ordered in, I set off to the records office to be in the door
at 9.00. In order to access the records, one has to first obtain a reader’s
ticket, requiring a passport, two passport photos and a bank statement. I was
ushered into the head archivist’s office to be greeted by a friendly
middle-aged woman. She knew all about me and within 15 minutes I had my
laminated ticket and a bunch of documentation, ready to enter the reading room
to start going through the records. It really was fascinating. Most of the
records dated from the late 1700’s/early 1800’s from an estate called Lochaber.
These included rental certificates, financial records, inventories of the
renters and other miscellaneous documents. There were seven wads of documents
in total, all on decrepit old paper, tied together with twine. I really did
feel honoured to be able to handle such old documents spanning a very turbulent
era of Scottish history. The most thrilling though was the last wad of
documents, containing some dating as far back as the 1500’s!! These were
written on leather and I felt a bit naughty being able to unfold these stiff
texts and peek inside! While I was more-or-less able to read the handwriting of
the 17-1800’s documents, that in the ancient documents was completely illegible
to me – it may as well have been in hieroglyphs. What a privilege though.
Unfortunately I didn’t see any mention of Scott, however I selected lots of
documents to have copies made which had reference to Glenturrett – the farm
where it is thought Scott worked. So, there may be useful information to come out
of this… we’ll see.
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| Door to Historical Search Room |
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| Central area of records office |
That
weekend, I continued to walk around Edniburgh, visiting places my mum
recommended.
On
the Saturday I went right down to the other end of the Royal Mile, where
Hollyrood Castle and the Scottish houses of parliament sit. I had a brief look
around the houses of parliament and one of the things that struck me was the
use of Gaelic language – all the text was bilingual. As Scotland is gradually
becoming more and more independent of England, issues such as language are
increasingly coming to the political fore. There is a big push for Scottish
Gaelic, still spoken by some 60,000 people, to receive the same level of
recognition as Welsh, as an official language of the UK. Seems reasonable
enough to me.
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| The front of Parliament |
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| Inside |
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| From another angle |
In
the afternoon I went for a wander around the Salisbury Crags, where the famous
Arthur’s Seat is located. Arthur’s Seat is at the pinnacle of the highest point
in the area and I had initially thought I would wander up there. Upon seeing
the huge swarm of tourists, I decided to find some geocaches which took me to
less visited peaks in the area. I still got fabulous views without the need to
stand shoulder-to-shoulder in a mob of tourists, an experience best avoided if
possible in my opinion.
That
evening I went to a performance by a bloke known as Freeland Barbour, a well-known
accordion player and poet. He was launching a new book called Music and the
Land, a collection of sheet music, photography and poetry from around Scotland.
Looked like an excellent book. The first half of the evening was a selection of
music and poetry from the book and the second half was a cèilidh, full of
lively music and dancing. The poetry was great. Some of it was read as
half-half Gaelic-English and with the reader’s strong Scottish accent, it was
hard to discern between the two.
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| The cèilidh |
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